Maid-san and Witch

It captures glitchiness well relying solely on the coldness inherent to vocal synthesis engines, without extreme sound distortion. The quiet yet cute artificial vocal tuning is charming. Toward the second half of the album, the noise clashes get quite intense, but since it's a short album around 22 minutes long, it shouldn't be too problematic to listen to. One disappointing point was that in tracks 3 and 4, the mood suddenly darkens and gives off a strong drill vibe, which feels severely out of place—to the point where the signature heavy bass sounds like fart noises. Maybe I felt that way because track 2 was so good. Of course, since it connects with track 2's outro, it isn't a completely illogical structure. Because it's a turning point that flips the album's mood and enters a new phase, this kind of chaos might actually appeal to others.